North Coast 500 Adventure – Part 4

OLYMPUS DIGITAL CAMERATongue Hotel turned out to be a good choice (to be fair there aren’t many hotels around here anyway!) – one of our fellow guests was BBC’s Jeremy Paxman, so we figured if it was ok for him, then it was ok for us. A (relatively) early start next morning as we had to be in Dunnet Bay by 11am for our pre-booked tour of the Dunnett Bay Distillery – home of Rock Rose, one of our favourite gins. Our tour (we were the only ones there) took almost an hour and a half, and we learned so much about the gin process, helped along by sampling several of their products! Definitely worth a stop if you are passing that way, and well worth the £12 pp cost.

OLYMPUS DIGITAL CAMERAWe briefly stopped at the Castle of Mey, one time summer holiday home of the Queen Mother – it was pretty busy there and we only needed to use the loo, so onward… Interestingly, the whole physical geography changed along here – although there were cliffs all along the coastline, just inland it was pretty flat, and the harsh gorse and heather landscape changed to mostly pasture.  Lots of abandoned ‘crofts’ – apparently dating back to the Highland Clearances of the 18th and 19th centuries where tenants were evicted in favour of land being used for sheep grazing. 

And so we arrived at John O’Groats, not actually the most northerly point of the UK mainland, but pretty close, and home to that famous sign for the obligatory photograph. Rather like Lands End (by co-incidence we had been there only a few weeks earlier) it was a place to say you had visited, then move promptly on! A couple of miles away is Duncansby Head, yet another lighthouse, and the cliffs are home to thousands of nesting seabirds.

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Ackergill Tower

From this furthest-most point on our trip, it was time to head south now, just a few miles to our next overnight stop – Ackergill Tower, just outside Wick. A genuine castle this time, built around 1475 and pretty much in continuous occupation since then, it is now a 33 room hotel standing right next to the sea. Billed as a luxury hotel (and priced accordingly) it almost lived up to our expectations… First up – a seriously imposing building – a big solid stone facade, with towers and turrets etc, and cannons outside the entrance! We ventured to the top of the tower – three flights of stairs up, and then up a narrow spiral stone staircase and out onto the battlements. Given my fear of heights I think I did pretty well. Our bedroom was comfortable, and both the drawing room and huge vaulted dining room were impressive to say the least with wood panelling, plasterwork and huge pictures of the landed gentry former residents.  The food was good (we had booked dinner, bed and breakfast) and although the service was reasonably good, it lacked the polish of other hotels we stayed in on our trip.  What did amuse us was the music playing in the dining room – a little CD player in the corner, playing a single CD of popular Scottish music, over and over again.  Fair enough, although it was weird hearing ‘Auld Lang Syne’ at breakfast in April!

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Dunrobin Castle

Heading out next day, it was mostly cliffs, beaches and rolling countryside, with a few stops to take in the views. Dunrobin Castle, with 189 rooms the largest castle in Northern Scotland, was our next stop. If you don’t want to tour the building itself, there is a path that takes you down to the shore, and this offers fine views of the exterior.

Passing the village of Tain (the home of Glenmorangie), and the ‘parked’ oil rigs in Nigg Bay, we stopped at the Storehouse of Foulis (another recommendation) for lunch – good food and reasonably priced too.

We spent a good hour at Chanonry Point, just outside Inverness on the Black Isle, as this was recommended for dolphin watching, but alas there were none – the best times are apparently later in the summer, on a rising tide, so that will have to wait until another visit. A beautiful and peaceful spot nevertheless with views across to Fort George on the other side of Cromarty Firth, and down to Inverness (and another lighthouse of course!)

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North Coast 500 Adventure – Part 3

Achmelvich Beach

Achmelvich Beach

Our next couple of days were spent exploring the beaches, lochs and hills around Lochinver – part of the ‘official’ NC500 route, but definitely not recommended for larger camper vans! Some of the nicest scenery we saw all trip here…  Just outside Lochinver, Achmelvich is well signposted, and like all the beaches we visited, has good free parking and easy accessibility down to the beach. Truly beautiful and the whitest sand you will see on any beach in the UK, with rocks and cliffs to explore and get a higher viewpoint.  From here it was just a few miles further on to Clachtoll beach – just off the road, and with a camping and caravan site close by.  Despite that, at 11am we were the only people on the beach!

Stoer LighthouseWe next took a lengthy diversion to the lighthouse near Stoer Point – more great views and the option to walk the 2 miles to Stoer Point for the more adventurous. Very rural around here – lots of derelict farmhouses and agricultural machinery, and one (working) smallholding had a dead fox hung up on the fence by the house! Needless to say we didn’t hang around here for long… 

Secret Tea GardenGetting peckish by then we were on the lookout for a nice spot for our picnic lunch (ordered from the hotel the night previous) and found yet another glorious beach, just by the side of the road at Clashnessie.  Just a few steps down onto the beach, spread out the picnic blanket on the white sand, nicely sheltered from the wind by the sand dunes and we were made up!  Like most of our trip, the weather was again dry, and it was great to feel the sun on our faces. Come mid-afternoon, we found ourselves in the village of Drumbeg – great views again out to sea, and we found a quirky little spot for an afternoon cuppa – the Secret Tea Garden. With a delightful little patio seating area, and home made cakes, what’s not to like! Just worth noting – the place doesn’t have a loo, so best stop at the public facilities at the viewpoint in Drumbeg Village just up the road… 

Ardvreck Castle

Ardvreck Castle

More very narrow and steep roads took us back to the main road near Unapool, and back via the shores of Loch Assynt to our hotel. After this very hectic and actually quite tiring day, we were glad to spend the next day checking out the beaches again!

Our next stop on our way north was Ardvreck Castle – just a ruin now, but superbly positioned overlooking Loch Assynt – definitely worth exploring and a good spot for photos.  On then to Kylesku, and its beautiful curved bridge. Kylesku BridgeFrom here it’s up to Scourie, and although the beach was ‘so-so’, the rocky headland was well worth exploring and we saw many different sea birds.  Earlier in the trip, some friendly visitors we got talking to had recommended we find the beach at Oldshoremore, just outside Kinlochbervie, so that was our next stop.  Kinlochbervie itself was pretty unimpressive – just a working fishing port, but the beach we were looking for was awesome! With the tide out, it must have been a good 200 yards from sand dunes down to the sea, and I guess the beach was over a mile wide – again with rocky headlands at each end. During the hour or so we were there, we only saw 2 other people on the beach. Fair to say that the beaches in Scotland are truly superb!

Kyle of Tongue & Ben Loyal

Kyle of Tongue & Ben Loyal

A quick spot of lunch at The Old School restaurant near Kinlochbervie – a characterful place with good food and drink (and it has rooms too apparently), and back onto the main route towards the far north west. After several more stops to take in the views of lochs, sea and mountains, we decided to skip the detour to Cape Wrath, and press on to our next hotel. Stunning views all the way – my favourite view from this part of the trip was from the causeway over the Kyle of Tongue, looking across to Ben Loyal.

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North Coast 500 Adventure – Part 2

Loch Maree Viewpoint

Loch Maree from Glen Docherty

After our hair-raising drive around the Applecross Peninsula, it was time for something a little more leisurely, so for our next day we didn’t stray far.  We started in the quant village of Kinlochewe, with its brightly painted cafe, and took the short diversion up to the viewpoint at Glen Docherty, which affords wonderful views over Loch Maree, the third largest loch in Scotland. Then we took the single track (main!) road a little further north along Loch Maree to the beautiful sandy beach at Gairloch – there’s easy parking by the church/cemetry and a boardwalk  down to the beach. What a wonderful beach!

Next up, we took a short diversion off the official NC500 route to Badachro as we had seen signs promising a decent pub for lunch. Although the views over the harbour from the pub lounge were great, and the bar had a good selection of drinks (including the local gin), sadly the food was a little disappointing and ‘mine host’ was rather overbearing!

After another night at our hotel, where we tried their rather less fancy and more reasonably priced Torridon 1887 Pub for dinner, it was on the road again. Next real place of interest was Loch Ewe, used in WW2 as the start point for many of the ill-fated North Atlantic convoys. Apart from the remains of some fortifications, there is currently a NATO refuelling depot there which rather spoils the view over the loch! Next along the route was Gruinard Bay, with its beautiful panoramic views out towards the Summer Isles, before a drive alongside the heavily wooded Little Loch Broom, across some spectacularly deserted moorland, before down to the sea again at Ullapool.

Gairloch Beach

Just another beach…

Rather than take the ‘official’ route straight up to Assynt and our next hotel at Lochinver, we elected to take ‘minor’ roads there (heck even the ‘major’ roads are often single track with passing places!) and what an afternoon it was. Passing the base of the impressive Stac Pollaidh (pron. Stack Polly) mountain, we reached Loch Oisgaig, another spot where the freshwater lochs virtually meet the sea, and a lovely little peninsula that directly overlooks the Summer Isles. More beautiful beaches and viewpoints around Polbain, some quite isolated properties (both old and new) but a wonderful sense of peace – if ever I go missing, you will know where to start looking for me!

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Summer Isles, from Polbain

To be honest, we could have stayed there forever, but our hotel, Inver Lodge, beckoned so on we went through beautiful Inverkirkaig and onto our base for the next couple of days.

Lochinver from Inver Lodge

Lochinver, from Inver Lodge

Built in 1986, this is definitely not the prettiest hotel you’ll find in Scotland (it looks more like a residential home or golf clubhouse!) but perched as it is on a hill above Lochinver, it has fabulous views over the harbour and surrounding area from every room and certainly delivers! We stayed for 3 nights (they frequently have a 3 for 2 offer on accommodation) and enjoyed great service and fabulous food – it has an ‘Albert Roux’ restaurant and we tried his signature Soufflé Suissesse starter – delicious, rather like ‘floating islands’, but with cheese sauce instead of cremé anglaise…  Another opportunity to try some local artisan gins too – looking at the selection on offer there will soon be as many Scottish gins available as whisky!

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Gruinard Bay and the Summer Isles

Here are a few more photos from this part of our trip…

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North Coast 500 Adventure – Part 1

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Loch Lomond (in the rain)

Our first road trip for quite a while, and top of my bucket list, the North Coast 500 (NC500) is marketed as Scotland’s answer to US Route 66. Roughly 500 miles long, it starts and finishes in Inverness, and pretty much follows the coast road around Northern Scotland. Planned as a holiday rather than a photo trip, there was obviously going to be lots of photo opportunities, but not much time for considered and contemplative photography – right from the outset I figured it was going to be pretty much snapshots only. So, no filter systems, just my Olympus E-M1ii camera and 12-100mm ‘superzoom’ lens, and a Pen-F and 17mm as ‘backup’.

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Glenfinnan

Starting from home in Shropshire added another 250 miles each way to the start point, so it was more like a NC1000 for us! It all started in rather damp fashion, with a grim drive in the rain through the M6 roadworks in Cheshire. Fortunately the rain eased off after that and we got to our first overnight stop on Loch Lomond without incident, although the rain made another appearance. Staying in the excellent Lodge on Loch Lomond overnight, with the added bonus of a sauna in our (upgraded) room set us up for what turned out to be an eventful second day.

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Ferry Crossing

It started well enough, with a steady drive up through beautiful Glencoe, followed by a brief stop in Fort William to take in an exhibition of Scottish Landscape Photography.  All good stuff.  Then the plan unravelled – the swing bridge at Spean Bridge on the A82 had jammed in the open position, totally blocking the route northbound.  Rather than waiting until it was hopefully fixed, or taking a 90 mile diversion, we opted to cut across to Mallaig via Glennfinnan, and take the ferry to Skye, before crossing back to the mainland and working along the coast.  We had an anxious hour’s wait as the ferry was fully booked and we had to go standby!  Fortunately they squeezed us on, and we had a bracing 35 min journey across The Sound of Sleat to Ammandale, incidentally pretty much the only way to Skye before the Skye Bridge was opened in 1995. Not so lucky were the dozen or so cars in the queue behind us – they had wait for the next ferry 2 hours later… So it was then a straight drive to Broadford, and across the Skye bridge to pick up our original planned route – we were on Skye for just 25 minutes!

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The Torridon Hotel

After a further couple of hours driving on fairly twisty and narrow (sometimes single track) roads, it was a relief to get to our hotel in Torridon – straight into the bar for a well deserved gin and tonic! A decent enough gin selection, but nothing compared to the almost 400 whiskies on offer! A beautiful hotel, albeit at the top of our budget, but so full of Scottish style and charm.

Up bright and early next morning (more sunshine too!) for our first ‘serious’ part of the NC500 – the Applecross Peninsular, and the infamous Bealach Na Ba pass through the mountains.  Reaching just over 2000ft at its highest point, this is not a road for the faint-hearted, or for camper vans – one section is very narrow indeed, with a gradient of 1 in 4, a series of hairpin bends, and

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Start of Bealach Na Ba

very steep drops just beyond the crash barriers! However, the views are simply amazing, looking out across the hills towards Loch Carron in the south, and Skye and its outlying islands to the west. After a brief stop at the summit viewpoint to take in the vista, it was all the way down again into the quaint little village of Applecross with its beautiful, if rather stony beach.  A quick lunch at the excellent Applecross Inn and we were off again, along the coast road back towards Shieldaig.  More amazing scenery as we tracked along the coast – mountains to our right, and sea to the left, with Skye and its islands of Rassay and Rona in the distance. With so much to see, and so many places to stop off and admire the views, it took us a good couple of hours to make the return journey to the hotel.

OLYMPUS DIGITAL CAMERAAn amazing day, and one that completely surpassed our expectations. Roll on tomorrow, and Part 2!

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Time for a fresh beginning…?

‘When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision. Following rules of composition can only lead to a tedious repetition of pictorial clichés’ – Edward Weston

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South Bank, London

In the almost 60 years since I first picked up and used a camera, photography, in my opinion, has become both easier, and harder… Yep, today’s all-singing digital cameras and phone cameras with their mega-pixels and auto-everything are a far cry from Box Brownies, or 35mm SLRs where everything was manual; then it was days or weeks after you shot your pictures before you saw the results (and were frequently disappointed!)

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Dover Harbour

But now,  just about everyone can take a good picture – walk up, ‘click’ with your phone camera/compact camera/DSLR and there you have it – immediate result. No longer any need to understand and put into practice the technicalities of film photography like ISO, aperture, DOF and shutter speed – just ‘point and press’. No bad thing, but these days everyone is a photographer. Estimates vary, but I saw one that reckoned over 1.8 trillion photos were taken and uploaded last year! Talk about over-exposure.

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Elgol, Skye

A few years back, I was at a low ebb with my photography – I had all the latest gear, but it was all so heavy I never really wanted to go out making photos, and when I did, I rarely came back with anything I was happy with. So I changed everything and downsized, and that helped some – the new system I had was somewhat lighter, but at the expense of image quality, and in reality, by the time I bought the best lenses, I hadn’t gained a huge amount in portability. But I persevered, thinking that by working harder at it, I would take better photos. I’ve read lots about photography, joined social media groups and been on umpteen workshops and courses, but…………

Saturday Market, Revel

Street Market, France

What I’ve come to realise is that despite a near obsession with photography,  I’m not really getting that much out of it – I think that going to the same places that everyone else goes to, and setting up the same type of sunset/sunrise/long exposure shots is leading to a total lack of creativity.  Its not helped by the fact that everywhere you look on forums and Twitter/IG etc, there are the same shots in the same places etc, so you pretty much end up following suit. I’m less inclined these days to go out yomping around hills loaded down like someone from the SAS – I’m not getting any younger! Then of course there’s the issue of going to all that bother when other folks will get still better results because they are using bigger and better gear, or dedicate more time to photography than I want to.

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Colwyn Bay, North Wales

Looking at what I’ve shot over the last year or two, I’m really disillusioned – I’ve got lots of ‘ok’ landscapey shots, mostly technically fine, but very few ‘wow!’ shots. Hardly anything that stands out. Technically competent, but no creativity. Certainly no real satisfaction. I need to go back to shooting what grabs me, not the clichéd shots that you see all over social media and I am (even subconsciously) trying to emulate. I think some of the shots I took 10 or 20 years ago are ‘better’ in a creative sense than what I’m doing now. Bit of a watershed really…

I’m starting by going through my back catalogue, and just picking out what I consider to be creative, rather than just me-too photos. I’ve started to update my website to reflect that.
I’ve made a conscious decision that in future I will shoot for ME, and not to please others. If people like what I shoot, that’s fine, but I’ve spent too long conforming to expectations.
Here are a few of my photos that I DO like. Some are traditional landscapes, but I like them nevertheless. Here’s to that creative new beginning…

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Peak District Photography Books

Oddly, although we’ve been living just an hour or so from the southern edge of the Peak District for almost 10 years, its only this year that I’ve thought about taking photos there. Its not an area I know well either, so I was keen to get some idea of where would be best to start, so after a little research, bought these two photography guides:

The Photographers Guide to The Peak District, by E.Bowness.  Long Valley Books. £12.99

Photographing the Peak District, by Chris Gilbert and Mick Ryan. Fotovue Books. £27.95

IMG_3604Both books are very helpful, and indeed I do use both of them.  The E.Bowness publication is a handy, pocket-sized book – just 107 pages in total, well illustrated, with useful suggestions of locations, grid references for parking etc. It covers the most popular photo locations, and has a very neat index at the back that not only lists all these locations, but grades them by type, level of photo interest, distance from parking and difficulty of access. Its not that detailed a book, but handy nevertheless – I’ll often use it when planning a trip.

The Chris Gilbert book on the other hand is far more comprehensive – a larger format book, with almost 500 pages covering the vast majority of places of interest in the Peak District.  The photos are superb, and there are both photos and suggested viewpoints for different times of day, and different seasons. Its a weighty tome, and I do find that on occasion it’s helpful to copy a page or two to take when I am out walking and photographing rather than take the whole book! The level of detail is sometimes overwhelming, and I find its most useful when I want detailed information, or to research all the worthwhile spots in a given location.

I thoroughly recommend buying both books if you can stretch to it (both are available from Amazon, frequently at a reduced price), but if not, get the Bowness book if you just want an intro to the most popular photo locations, and think the index would be useful, or the Chris Gilbert book if you want a more comprehensive guide. Both will serve you well!

 

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Lake District Tour….

This time last year, when I was still a Fujifilm shooter, I booked a Lake District workshop in November 2017 with Fujiholics.  Attracted by the location, a big draw also was that the workshop was to be led by Matt Hart and Paul Sanders, two great guys that I’ve known for some time and been on events with.

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Duke of Sutherland Boathouse, Ullswater

Fast forward 9 months and I had switched from Fujifilm to Olympus, so I joined the course with some trepidation! I needn’t have worried of course – although Paul and Matt are both passionate about their Fujifilm cameras (and are official Fuji ‘X’ Photographers) they were helpful and supportive throughout.

Based at the Premier Inn in Kendal in the south of the National Park (its tricky to find reasonably priced hotels that will take groups of 15, even out of ‘season’) we nevertheless covered all the main parts of the Lake District. 6am starts each day meant that we could get to locations and set up by sunrise.  With the obvious stops for breakfast, lunch and of course CAKE, we carried on right until nightfall each day, by which time we were happy to collapse back in the hotel for a well earned supper and drink or two… A chance also to review photos from the day, and confirm plans for the next morning.

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Kelly Hall Tarn, nr Coniston

We covered quite some ground in those few days – Kelly Hall Tarn, Coniston, Ashness Bridge, Surprise View, Watendllath, Blea Tarn, Bassenthwaite and Crow Park, Derwentwater to mention a few. I, for one, came away with lots of photos I was happy with, and I’m sure the other participants felt the same. It was also an enjoyable few days spent with like minded ‘togs’ and I would definitely recommend the Fujiholics events, whether you are a Fujifilm shooter or not. They may not have the swish marketing that other well-known photo-tour companies have, but they offer a professional and reasonably priced alternative. If you want to improve your photo skills, and get the chance to shoot in great locations, then definitely check out Fujiholics!

See below for a few of my photos from the week – all shot on Olympus E-M1ii or PEN-F cameras, mostly with the Olympus 12-100mm and PanaLeica 8-18mm  lenses and Nisi ND and ND Grad filters.

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It’s been a while….

Well, here I am again after a lengthy time since last posting.  Other priorities (mainly family) took over most of last year, but at least I have found time to take a few photos, so lets have a little update and take it from there…..

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Colwyn Bay Promenade – Fuji X100F

In terms of photo gear its been all change – I started 2017 using Fujifilm kit – X-T2 and X-T10 bodies, an IR modified X-E1 body, and most of the Fuji X series lenses then available. To be fair this was overkill, and I couldn’t sensibly carry it all around (too heavy), and then couldn’t decide what to take each time I went out…. Not an unusual photographer’s dilemma! I needed to simplify things – one main body, a backup which would also do for travel/family when I wanted to travel light, and just a couple of good quality general purpose zoom lenses. So the search was on for a more compact kit that would still deliver the quality I was used to.

Until then I’d been looking at getting an X100 series camera again (I’d had 2 before) and while on a touch and try day at Cambrian Photography (see the photo I took using the X100F) I got to also try an Olympus PEN-F. Instant attraction! It does pretty much everything the X100F does (and some more too), but has interchangeable lenses, so I could pop a small prime lens on and have a really portable camera.

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Sunrise – Bassenthwaite Lake

So, PEN-F and 17mm lens bought, and all my Fuji gear moved on… simple eh?  Well, not quite.  I still needed those zoom lenses (much more practical for landscape photos) and after a couple of false starts, ended up with the amazing Olympus 12-100mm Pro lens, and the PanaLeica 8-18mm super wide zoom. Both incredible lenses, but they don’t sit very well with the diminutive PEN-F body, which of course isn’t water resistant either – a bit of a worry when I was out in the rain.  So that resulted in the purchase of another Olympus body – the pro-spec E-M1 mkii.  What an incredible camera! – fast, tough, great quality images (despite the tiny sensor) and so many features its taken me a good few months to master all the options. Other than the occasional ‘wobble’ when I wonder if a full frame camera would give me better images (probably not, and too many other issues to contend with) this is my ultimate camera for landscapes. To be fair, its not a small camera, and my full kit with lenses, tripod and filters is still as much as I can manage, but at least there are no compromises.

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Duke of Sutherland Boathouse, Ullswater, Lake District NP

Still have the PEN-F, although I’m still pondering what lenses work best for me – the small primes are neat, but don’t have the flexibility of a zoom, and the ‘travel’ zoom I currently have (the 14-150mm) does have a few limitations, so watch this space…

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Roach End – Peak District NP

Despite time constraints, I have been out and about quite a bit with the camera in the last few months – I’ve been on several photo workshops and a ’tour’ in the Lake District, and discovered that the nearer parts of the Peak District are close enough to pop along for a few hours shooting, as is the North Wales coast.  I have images from both areas I’m happy with.  With more time hopefully available in 2018, visit plans include Cornwall, Scotland and Ireland, and maybe some more photos from Southern France, so watch this space!

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No Tripod Allowed

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London Eye – Fuji 50-140mm

A combination of illness and family commitments means my Fuji cameras haven’t seen much action over the last month or two, but a couple of weeks ago I was booked on a Light and Land ‘Impressions of London’ workshop with Valda Bailey (Twitter – @tanyards) and Doug Chinnery (Twitter – @dougchinnery) and really didn’t want to miss it. Although I have been taking photos for over 50 years, and feel pretty confident with landscape and urban subjects, I’ve sensed my photography was in something of a rut lately and wanted to try a different approach. So off I headed to London, slightly intimidated by the joining instructions that stated that tripods were not allowed and would be ‘thrown in the Thames’! The reason for this became obvious fairly quickly – this workshop was all about experiencing different techniques like Intentional Camera Movement (ICM), Multiple Exposures and Zoom Pulling, and without the ‘straightjacket’ of a tripod, and the front-to-back sharpness that most photographers are programmed to produce, there would be ample opportunity for creativity and abstract impression. And, boy, was it a different experience!

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Tate Modern Café – iPhone 6

From the outset, it was clear this was going to be a great day; the weather was kind – mainly sunny with cloudy intervals; the location was great – the South Bank near Tate Modern; Doug and Valda were great tutors, and it was a small but enthusiastic group, keen to learn new techniques. After our initial briefing, where it became obvious that my Fuji X-T1 would have some shortcomings (more on this in a moment) we all worked individually to try and capture images that broke all the conventional rules, but still worked.The instructions were clear – experiment, take lots of photos, look for unusual angles, textures, colours and combinations.  Try to build up images from different elements that complimented one-another in some way.  Overlay patterns and abstracts on defocussed main images, and think about how images could then be further worked on via post-processing.

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Trees, South Bank – Fuji 16-55mm

So the start point for me was multiple exposure images and this is where the limitations of Fuji cameras compared to Canon and Nikon DSLRs became apparent.  Some of the Canon cameras can take up to 9 shots to create a single image.  Not only that, but each is created as a RAW file, the individual shots making up the image can be saved individually, and there are multiple modes for blending the images together (like the layer blend modes in Photoshop). The Fuji cameras (X-T1 and XT10 anyway) are much more simplistic – only 2 exposures, a single ‘general’ blend mode, and the only image saved is a JPG of the multiple exposure itself – no original files to go back and have another go with at home… Although this was clearly limiting on the day, I did nevertheless manage several multiple exposure images I was pleased with. Maybe more sophisticated multiple exposure options could feature in a future Fuji firmware upgrade?

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Millennium Bridge – Fuji 16-55mm

Next was Zoom Pulling – twisting the zoom ring during a shot. I found that exposures around 1-3 seconds worked best for this technique – too short an exposure meant there was little effect, while too long an exposure meant all detail was lost.  This is a pretty well known and often over used technique, so to my mind needs to be used with care. First time I think I’ve used it though, and some interesting results, especially with quite bold subjects.

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South Bank Apartments – Fuji 50-140mm

Intentional Camera Movement (ICM) is exactly that – moving the camera side to side, up and down, backwards and forwards, or twisting it, all during the exposure.  This can create weird and wonderful shapes, with these images used alone, or as part of a multiple exposure final image. One interesting thing I found was when using my 50-140mm lens with the image stabilisation switched on. During exposures of 2-3 seconds, providing the camera was not moving too quickly the IS would ‘lock on’ several times during the shot, giving the appearance of a multiple exposure – quite a pleasing result in some cases.

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Golden Jubilee Bridge – Fuji 50-140mm

These techniques (and Valda is a master) are becoming popular, as evidenced by the fact that this month’s UK photo press are carrying a couple of articles about it, so its definitely here to stay.  We were of course mainly shooting architecture and urban views, but I can see it would work equally well with landscapes, nature and even macro. What is rather good is that you don’t need to carry a complete bag of gear (as I did!) to capture these images – a mid range zoom lens is sufficient, and no real need for the highest resolution sensor either. I did find that switching filters to get the correct long exposures during changeable light was tricky – I think a variable ND filter would probably be quite helpful here.

So, I have several hundred images from the day – a few of which I am happy with as they stand, and a good number that can be worked on, either individually or combined in Photoshop.  I can’t wait to get out and try these techniques again – its not often you learn something new after 50 years of doing pretty much the same thing!

Thanks to Doug and Valda (and Light & Light for their great organisation) for a super day out, and a new creative angle for me to further explore!

160725 london street-6

South Bank – Fuji 35mm f2

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The 1940s Festival in Colwyn Bay

1604 colwyn bay 40s-23-EditPopped along last week to the 1940s Festival held in Colwyn Bay, North Wales. For two days over the weekend, the town embraced the look, sounds and even the smells of the 1940s, with many different displays, and hundreds of people dressed in period clothes. There were displays of wartime foods and rations, fighting vehicles including armoured cars and jeeps, and of course soldiers, sailors and airmen from Germany, France, Canada and the UK.  There was street dancing to ‘Glenn Miller’ style bands, a battle re-enactment and even a ball on the Saturday night (not that I stayed for that!)

1604 colwyn bay 40s-66There were some excellent photo opportunities, and it was great to meet up with friends and customers of Cambrian Photography, where our walk around the town started. I could only spare a couple of hours there, and concentrated more on the characters around than the static displays. It was pretty much my first outing with a new 50-140mm f2.8 lens on my Fujifilm X-T1 – an excellent combination for street portraits, and I particularly welcomed the ability to separate the subjects from the surroundings by using the lens wide open.

Mono seems to suit the occasion, although there are a few colour shots too.  Mono shots are JPG images converted using Nik Silver Efex, while colour shots are largely straight out of camera.

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