A Tale Of Two Bodies…

I’ve really enjoyed using my Sony A7iii camera and lenses for the year or so I’ve owned them, except for one  (not so small) issue – the weight of it all.  OK, if I am just using one of the smaller prime lenses, like the 35mm f2.8 or 55mm f1.8, it’s just fine, but when I’m fully tooled up to go and take landscape photos, complete with 24-105mm, 16-35mm, 100mm filter kit, and tripod and ‘L’ plate, all in my backpack, the whole thing weighs a ton – well, actually about 12 kg.

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Porthleven Harbour – A6300

As I get older, that really does start to be a problem, especially if I have to walk any distance, or climb any hills to get to where I want to shoot… In truth, it’s limiting my enjoyment of my hobby.

So it seemed natural to see if there was a lighter weight option, even if it was only for these outdoor treks. (I sold my last camera, a very competent Olympus OMD kit, because it didn’t really deliver the landscape image quality I was looking for, and knew the full frame Sony was going to be bigger and heavier, but guess I underestimated it…) So what to do? Rather than get something completely different, I figured the smaller Sony A6000 series camera might do the trick – same lens mount, so I could (with reservations) swap lenses, and the body would act as a useful backup should the A7 fail.

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Valerian – A6300

The latest A6400 body looked very nice, with excellent AF, and menus and features very similar to the A7iii, but the best price I found was a fairly substantial £800+ for the body only. What I did drop on though was the previous model – the A6300, still a very competent camera, but with the latest Sony cashback and some odd price matching going on, this came in at just £455 net, including the kit 16-50mm pancake lens – not bad at all.

Next thing to get was lenses and filters… The Sony Zeiss 16-70mm f4 lens would give me the same field of view as the 24-105mm on the A7iii, and the 10-18mm near enough the same field of view as the 16-35mm f4 on the A7iii, but physically very much smaller and lighter of course. I picked up very tidy used copies of both for decent prices, and then a Nisi M75 filter holder and a couple of grad/ND filters, again much smaller than my usual 100mm kit, and fine for these smaller lenses. With my smaller Manfrotto Befree tripod, and a smaller rucksack I already had, the whole lot came in at barely 6kg, just half the weight of the equivalent A7iii kit…  Good so far!

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Porthleven – A6300

Our trip to Cornwall was a great opportunity to try it all out, and I took both kits with me for comparison. I have to say that for ‘walking around’ the A6300 and the 16-70mm lens was a revelation – definitely manageable, although big enough to still need some kind of bag to carry it around in.  The shots from it were all good – lets face it, handheld shots aren’t really much of a test of absolute image quality, and any modern camera is capable of that.  But it was nevertheless still a ‘proper’ camera to carry around, and certainly overkill for ‘holiday snaps’ – I love using my iPhone for that.

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Hepworth Sculpture – A6300

But later on, I decided to try some ‘serious’ photography – sunsets, and some wider shots around Porthleven harbour and Kynance Cove. What was immediately clear was that the  daytime shots with lots of detail in were simply not as sharp or contrasty as I expected, especially towards the edge of the frame – ‘OK’, but not the superb quality which  I was used to with the A7iii. And then the evening shots… Hmmm – very noticeably lower dynamic range on the RAW files, and any significant amount of post processing to lighten shadows would see them break up somewhat, with lots of ‘noise’ in the darker areas.  Much harder files to process and ultimately not as good as the A7iii (to be expected, but I didn’t expect the difference to be so great.) Even the shots using grad filters to balance exposure weren’t perfect, whereas with the A7iii I could often get away without bothering to use filters, just tweaking everything needed in Lightroom.

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Lizard Point Lighthouse – A6300

So that rather put me off, and I reverted to using the A7iii for the rest of our trip. I took several panorama shots, and also some HDR merged sunset shots with the A7iii, and was very comfortable all round with it, accepting that the heavier weight was worth it for the quality.  When I got home I did some comparison sharpness shots at various apertures on both the smaller ‘E’ series lenses and the ‘FE’ full frame lenses and I was shocked at just how much better the full frame lenses are – even in the centre of the frame the 16-70mm wasn’t as sharp as the edges of the 24-105mm, and the contrast was lower too.  To be fair, the 24-105mm is a hard act to follow – it is excellent, and only a little less sharp than the primes at some settings. A similar story with the 10-18mm too – not as crisp as the 16-35mm f4, with some obvious smearing at the edges and corners. I did look at the possibility of prime lenses for the A6300, but there isn’t really a lot to choose from.

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Porthleven Sunset – A7iii (merged in LR)

Now I guess that for most folks, the A6300 and it’s lenses would be fine, but with my obsession for image quality, it just wasn’t going to cut it, so both lenses have gone back…  I still have the A6300 itself and the kit lens just now, and may well keep that for when I want something better that my phone, but don’t want to go out fully ‘tooled up’.  I think it was a steal at the price. I’ll probably keep the M75 filter kit too – if I choose to use the prime lenses I’ve got (24mm f2.8 Samyang, 35mm f2.8, 55mm f1.8 and 85mm f1.8) on the A7iii, it will work fine with those and I can get a body, a couple of primes and the filters all in a shoulder bag.

So after all that, I’m back to where I was a few weeks ago – I reckon I will just have to put up with the extra weight of the A7iii and it’s lenses, and maybe not try to climb so many hills!

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Porthleven – 11 shot merged panorama – A7iii

 

Steaming Along…

a7302653Excellent evening with TimeLine Events, London Camera Exchange and Sony UK at the Barrow Hill Roundhouse, the last surviving railway roundhouse in the United Kingdom with an operational turntable. Built in 1870, it was threatened with demolition in 1991 when the site was closed by British Rail.  It was saved by a group of volunteers who have transformed it into a railway museum and events venue.

Home to a collection of both steam and diesel locomotives and rolling stock, it also has an operational signal box, the Roundhouse Halt platform and Springwell Branch running line. a7302499A highlight of the visit was spotting 60163 ‘Tornado’ outside undergoing minor repairs and annual re-certification.  This A1 Pacific ‘Peppercorn’ locomotive was built in 2008, the first steam engine built in the UK since 1960. It’s a magnificent piece of engineering!

a7302486-editPlenty of opportunities to take photos of the locos on display, and there were a group of re-enactors posing in period costume.

With the temperature outside around -5℃, it wasn’t much warmer inside the roundhouse, so glad of the opportunity to use the café between photos! A chance to try some different Sony lenses, but thankfully nothing I can’t live without…  A few more photos from the evening, all taken with the SonyA7iii and either 24-105mm f4 or 55mm f1.8 lens…

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From Dawn to Dusk (2)…

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Sunrise, Market Drayton – iPhone XR & Moment w/a

I’ve been taking at least one photo a day so far this year for my 365 project, but these have nearly all been iPhone shots. This morning started off pretty cold and frosty, and although I took the Sony A7iii for a spin, my iPhone did a pretty good job of capturing the morning light just across from our house. I love the wider perspective that the Moment 18mm wide angle lens produces. Good as a decent compact camera is, I reckon they have been been rendered obsolete by this latest generation of smartphones. For me, it’s either my iPhone, or for more ‘serious’ photos, the Sony.

So after that we went for a steady walk into Market Drayton (it’s about a 4 mile round trip).  In 1245 King Henry III granted a charter for a weekly Wednesday market, giving the town its current name, and although the market was on (today is Wednesday), it was pretty quiet overall.

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Farm hand, Market Drayton – iPhone XR

Bumped into the local farmer on the way back home – they have 700+ dairy cattle and his pickup truck already bears the scars from contact with the cows. The Land Rover they used previously had lasted some 30 years – somehow I don’t think this pickup will last as long!

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Sunset, The Roaches – Sony A7iii & 16-35mm

The promise of some decent clear skies, and the fact that I haven’t used my Sony camera in earnest for several weeks encouraged me to nip up to The Roaches in time for sunset. It’s a fairly brisk 1/2 mile scramble from the road to the 1st level, but the views even from here are amazing (better still from the top). Pretty impressive colours in the sky tonight! Managed a few decent shots, for once using grad filters to balance the key and foreground. It’s a bit of a faff using them, but it really makes a difference. The Sony has amazing dynamic range, and it’s easy to extricate detail from deep shadows, but somehow getting the balance right in camera still yields a better result.

All in all a busy photo day…

Peak District Photography Books

Oddly, although we’ve been living just an hour or so from the southern edge of the Peak District for almost 10 years, its only this year that I’ve thought about taking photos there. Its not an area I know well either, so I was keen to get some idea of where would be best to start, so after a little research, bought these two photography guides:

The Photographers Guide to The Peak District, by E.Bowness.  Long Valley Books. £12.99

Photographing the Peak District, by Chris Gilbert and Mick Ryan. Fotovue Books. £27.95

IMG_3604Both books are very helpful, and indeed I do use both of them.  The E.Bowness publication is a handy, pocket-sized book – just 107 pages in total, well illustrated, with useful suggestions of locations, grid references for parking etc. It covers the most popular photo locations, and has a very neat index at the back that not only lists all these locations, but grades them by type, level of photo interest, distance from parking and difficulty of access. Its not that detailed a book, but handy nevertheless – I’ll often use it when planning a trip.

The Chris Gilbert book on the other hand is far more comprehensive – a larger format book, with almost 500 pages covering the vast majority of places of interest in the Peak District.  The photos are superb, and there are both photos and suggested viewpoints for different times of day, and different seasons. Its a weighty tome, and I do find that on occasion it’s helpful to copy a page or two to take when I am out walking and photographing rather than take the whole book! The level of detail is sometimes overwhelming, and I find its most useful when I want detailed information, or to research all the worthwhile spots in a given location.

I thoroughly recommend buying both books if you can stretch to it (both are available from Amazon, frequently at a reduced price), but if not, get the Bowness book if you just want an intro to the most popular photo locations, and think the index would be useful, or the Chris Gilbert book if you want a more comprehensive guide. Both will serve you well!