A Walk In The Woods…

A7305654After weeks of lockdown, with the whole of Wales out of bounds, things have now progressed to the point where a trip to one of my favourite woodland walks was possible. This is Plas Power Woods, an area of ancient woodland just outside Wrexham. With ample parking, well marked paths, and a charming waterfall at the site of an old mill, it’s a great spot for an afternoon out.

Sadly there were rather more people around than I expected, so it didn’t offer the tranquility I had experienced on previous visits. I managed a few phone photos, but my plan to photograph the waterfall was largely frustrated by a group ‘tombstoning’ from the upper level soon after I arrived. I hung around for best part of an hour and got just a few photos, but it was clear they were there to stay, so I moved on in the end.

Nevertheless, it was good to get out in the fresh air on the first sunny day this July. And the first day for a long time that I’ve felt like going out specifically to take photographs. Here are a few more from the day.

 

Who Needs A Real Camera…?

So this week I purchased the newly released iPhone 11 Pro. I bought an iPhone XR about a year ago, together with Moment telephoto and wide angle supplementary lenses, and although I thought the quality of images from this combo was great, it was always a bit of a ‘faff’ to take a lens out of my bag or pocket and fix it in place. Also, the special phone case that was needed to fit the lenses did make for a rather bulky setup. Consequence was that I didn’t really end up using them that much.

I was excited, to say the least, at the announcement of the new iPhone 11Pro with its 3 built in cameras – wide, super-wide and telephoto, and further improved processing capabilities.

iPhone (portrait mode)

With a holiday imminent, I decided to take the plunge and grab one as I saw they were available direct from Apple if I moved quickly. So, £1400 lighter for a 256gb version and Apple Care, I had it all set up in a couple of hours and good to go.

First impressions? – amazing! The wide lens is about the same focal length as the single lens on my iPhone XR, ie about 26mm (35mm equivalent) which is pretty wide anyway, the super wide is a staggering 13mm equivalent, while the tele lens is a useful 52mm, great for portraits. The super wide has to be seen to be believed – it’s not just the ability to get much more into landscape shots, it’s about being able to get so much more in the frame where space is tight. There’s a whole lot more I won’t go into in detail here, such as the ability to automatically apply perspective control to fix converging verticals – suffice it to say the imaging and processing rivals a ‘serious’ camera and dedicated computer…

iPhone (tele lens) – verticals corrected

So what are the images like? – in a word ‘fantastic’…! OK, from a tiny sensor and lens combo you are never going to get definition and clarity to match a dedicated APS-C or Full Frame camera, so mega size prints are out of the question. But let’s face it, how many of us non-professionals use our photos on anything larger than an iPhone or iPad screen anyway? What impresses particularly is how close the output matches what you thought you saw when you took the photo – whereas my Sony camera often needs images tweaking to get back to ‘as it appeared at the time’ the iPhone seems to hit it bang on, straight off!

iPhone (super-wide lens) – cropped slightly

So where does this leave my ‘real’ cameras? – the SonyA7iii with its zoom and prime lenses, and my quite recently bought Fujifilm X100F? The Sony is smaller than good old fashioned DSLRs, but still quite chunky when fitted with its 24-105mm lens, and the whole kit needs a decent sized rucksack to carry it all. I find I go out with it less and less these days just due to the weight – my back is no longer up to trekking around the countryside with camera and lenses, filters and tripod!

The X100F is pretty small by comparison (but still a whole lot bigger than an iPhone) and has no interchangeable lens facility. I bought it as an ‘everyday’ carry around camera, thinking it would offer quality close to the Sony, but in a compact form. As you would expect, with its much bigger sensor it’s much better than any smartphone, and I’ve achieved very acceptable 30″x20″ prints from the earlier X100T version. BUT, it’s definitely not pocket sized, so not quite sure what it’s place is going to be – if I want absolute quality, and can cope with the weight etc, or want maybe a proper telephoto lens, I’ll use the Sony; if I’m prepared to sacrifice quality for sheer convenience, then it’s the iPhone… The X100F is an expensive piece of gear to hold on to if I’m not going to use it…

iPhone (tele lens)

Guess I’ll see how it goes – if, as I suspect, the Sony kit proves in the next year or so to be just too big and bulky to take out, then I may just give up on having a system camera altogether, or get something a bit smaller like a Sony A6xxx series outfit which would save maybe 40% of the weight without too much loss of image quality or functionality.

For now I guess I’ll concentrate on learning how to get the best out of my shiny new iPhone and then decide!

Steaming Along…

a7302653Excellent evening with TimeLine Events, London Camera Exchange and Sony UK at the Barrow Hill Roundhouse, the last surviving railway roundhouse in the United Kingdom with an operational turntable. Built in 1870, it was threatened with demolition in 1991 when the site was closed by British Rail.  It was saved by a group of volunteers who have transformed it into a railway museum and events venue.

Home to a collection of both steam and diesel locomotives and rolling stock, it also has an operational signal box, the Roundhouse Halt platform and Springwell Branch running line. a7302499A highlight of the visit was spotting 60163 ‘Tornado’ outside undergoing minor repairs and annual re-certification.  This A1 Pacific ‘Peppercorn’ locomotive was built in 2008, the first steam engine built in the UK since 1960. It’s a magnificent piece of engineering!

a7302486-editPlenty of opportunities to take photos of the locos on display, and there were a group of re-enactors posing in period costume.

With the temperature outside around -5℃, it wasn’t much warmer inside the roundhouse, so glad of the opportunity to use the café between photos! A chance to try some different Sony lenses, but thankfully nothing I can’t live without…  A few more photos from the evening, all taken with the SonyA7iii and either 24-105mm f4 or 55mm f1.8 lens…

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Looking Back…

As we approach the end of 2018, I’ve been looking back over my photography and also picked a few of my favourite photos from this year.

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Perch Rock – E-M1ii & 12-40mm

I started the year with a couple of Olympus cameras – a Pen-F, and an OMD E-M1ii – both excellent cameras with amazing features.  The E-M1ii was probably the best-handling camera I’ve ever used, and the arsenal of lenses I had acquired over the previous year or so were all excellent. Despite this, somehow the results I was getting didn’t really make me happy.  I tried every which way to get the result I wanted, but there was always something that didn’t quite work for me.

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Loch Lomond – E-M1ii & 12-100mm

I’d tried a Sony A7Rii previously, and although I liked the image quality, I just wasn’t sure about going back to a full frame camera with it’s bigger lenses etc;  one of the things that attracted me to the Olympus had been it’s compact size and much lighter weight. When the new A7iii came out with it’s superb image quality and better handling, auto focus, viewfinder and battery life than the ‘old’ models, a change was inevitable… I realised that convenience was never going to be a match for image quality.

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Ramshaw Rocks – Sony A7iii & 16-35mm

Rather than risk the uncertainties of eBay, I sold all my Olympus gear to mpb.com – not the absolute best prices, but fair enough, and of course a risk free and speedy transaction. This bought me an A7iii body and a couple of decent prime lenses, to which I’ve added the superb 24-105mm ‘everyday’ zoom, and the super wide 16-35mm f4 Zeiss lens. I’m certainly happy with what this camera can do – the RAW files are truly amazing, and there is no significant image degradation even with fairly heavy post-processing. (By contrast, the Olympus files would ‘break up’ under even modest processing, with nasty artefacts and excessive noise.) No such problem with the Sony camera.

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Double Trouble – Sony A7iii & 55mm

To be fair, I haven’t used the camera to it’s full potential – in fact I haven’t used it a lot as yet, but every photo I have taken with it so far has exceeded my expectations. The images (especially those taken with the prime lenses) are razor sharp, and the massive 15 stop dynamic range means that shadows can be recovered in post-processing without creating excessive noise. So much so that I think I’ve only once needed to use my graduated filters – I’m seriously thinking of abandoning them altogether, which is a fair weight saving when walking.

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Lichfield Cathedral – Sony A6300 & 20mm

I did dally with a Sony A6300 for a while – I figured it would give me an additional more portable option than the A7 kit, and at a pinch would do as a backup body, but it just complicated matters.  The image quality, although great, just wasn’t quite as good, and I found myself always wondering which camera to take when I went out, so in the end let it go. Too many complications! Just having one ‘proper’ camera makes life much simpler…

With the improvements over the last few years in the cameras in smartphones, they are at last a viable alternative to a dedicated camera for everyday use (holidays, walking, family occasions etc). So when the A6300 kit went, I got myself a new iPhone XR, and haven’t looked back – for social media posts and general family photos it’s plenty good enough, and of course it’s with me all the time. I’ve just acquired a wide angle lens for it, and that opens up more photo options. Telephoto lens next maybe?

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Plas Power Woods, Wrexham – Sony A7iii & 24-105mm 

So what does 2019 have in store?  Well, I’m certainly planning to get out more with my Sony camera – I’ve already booked to go on a couple of one-day events – not so much photo workshops as ‘opportunity days’ – the chance to shoot subjects that wouldn’t otherwise be as easy to access.  I’ve realised that I don’t really get much from traditional group photo workshops; they tend to be quite expensive, and with up to 12-14 attendees it can be rather limiting – all standing in line to take the same shot. So I’ll mostly be going it alone…

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Peatswood – iPhone XR & Moment w/a lens

I’m also super-excited about using my smartphone for ‘off the cuff’ photography – there are so many photo opportunities in everyday life, and having a half-decent camera with you all the time is definitely the way to go.  This photo was taken on my iPhone while on a family walk, and entirely processed using Lightroom Mobile & Snapseed on the phone itself.   It obviously takes longer to ‘process’ a RAW image from the phone than it does to use the standard JPG file that phones capture by default, but it really does open up some interesting possibilities.

I don’t think I will ever give up having a ‘real’ camera, but who knows!

Do You Need A ‘Proper’ Camera?

FullSizeRender (1)I absolutely love my Sony A7iii camera. It’s a fabulous camera to use, and with it’s full frame 24Mpx sensor, unrivalled dynamic range, and superb Zeiss and Sony lenses, it’s capable of the highest quality images.  The downside though is that it’s a fair amount of kit to carry around, and needs to be used carefully to get the best out of it. Fine for a dedicated photo ‘expedition’ but overkill for casual photography – definitely not something to carry around all the time.

Enter my new iPhone XR – every iteration of mobile phones has a better camera built in, and the latest iPhones are no exception. A 12 Mpx camera is standard, and amazing processing power means that photos can be subsequently edited to alter the depth of field – something that defies the usual laws of photography. But how good is the camera for ‘everyday’ photos? – those situations where you wouldn’t realistically be carrying a ‘serious’ camera and lenses.

FullSizeRenderToday gave me the opportunity to check that out – a bright and cold start, with lots of great colours in the sky, and pretty much wall to wall sunshine for the rest of the day.  Photo #1 was taken very early, and just a few yards from home, while photo #2 was taken an hour or so later when the sun was fully up. The rest of the photos were taken late morning – looking across at a local wood, and then near the local canal.  All photos were taken in RAW format, using the Moment Camera App, and then processed in Snapseed on the phone to convert to mono or enhance the colour etc, and to add the border and frames.

Snapseed (1)A phone-camera is never going to be a match for a dedicated camera with a much larger sensor and inter-changeable lenses, especially for nature or sport photography, or in adverse lighting conditions, but for ‘casual’ shooting the results are pretty amazing.  I’m confident that with my new phone I can take photos that I wouldn’t otherwise get, just because I wouldn’t have a bigger or better camera with me. I have a wide angle adapter lens on order which will help with landscape and architectural shots, and I may also get a telephoto adapter too – ideal for portraits.

Judge for yourself whether you think these are ‘worthwhile’ photos – I’m certainly happy with them.

 

Back to the 1950’s…


A7301756Thanks to those kind people at Olympus and London Camera Exchange, I spent a very enjoyable day last week at the Llangollen Railway. Even though I don’t presently have an Olympus camera, that was no barrier, and it was good to spend a day with like-minded ‘togs exploring the photo opportunities around this lovely heritage railway.

Not only did we get to travel the length of the line through the beautiful Dee Valley in a superb steam hauled train, but also had access to one of the still-working signal boxes and a tour of the railway workshops. Remarkable what this largely volunteer supported railway charity has achieved – not only bringing back to life a section of railway that closed to passengers in 1965, but recreating many of the original buildings and structures that had been demolished. A7301704The line now runs for around 10 miles from the beautiful station at Llangollen, via Berwyn and Carrog to Corwen. Not only have the railway workshops rebuilt and maintained locomotives and rolling stock for the railway, but they are building new locomotives for their own use and on behalf of other heritage railways around the UK.

In addition to a year-round regular timetable, they run special events such as Santa Specials, and even host weddings – a wedding party were using the train for a reception when we visited.

Rather than be weighed down by my full photo kit, I traveled fairly light with just my Sony A7iii camera body, and 35mm and 55mm lenses. The lack of zoom flexibility was more than repaid by the opportunity to take some wide-aperture shallow depth of field shots.  I’ve a few shots I’m very pleased with, and will definitely be returning! Here are a few more photos from the day – all suitably ‘retro’ processed to reflect the ambience of this delightful venue…

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Dawn to dusk…

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Peatswood sunrise

Even though I’ve been retired for some time now, it’s not often I choose to go out taking photos all day – I’m not that keen on going out on a group trip, and other interests tend to take precedence, so its usually only a few hours at a time.

Yesterday was therefore a little unusual. I got up early, and could see some nice colours in the early morning sky, so popped out, literally through the front door and across into the field opposite, for a few pre-sunrise photos using the trusty Sony A7iii. Compositionally this spot is limited, but I do like the way the track recedes towards the trees.

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Vendor – Street Market

After a few jobs around the house we went out for a bike ride, and noticed that there was a mini food festival on in town, so nipped back afterwards to see what was worth photographing. I’m not a great one for street photography – I think it can be quite intrusive, and I’m so so bored with the ‘person looking at their phone’ shots which seem to make up most street photo shots I see on-line.  Nevertheless it was chance to try my new (to me) ‘travel camera’ – a Sony A6300. Although it’s much smaller than the A7 series, it works in much the same way, and usefully I can use my A7 lenses on it, so it will make a good backup should anything go awry with the beast. I quite like mono for street photos, so it was a chance to see how that worked out.

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Ramshaw Rocks

Back home after an hour or so, and chance to do some cooking and other bits and pieces (usual Saturday stuff…) but I could see the sunset promised to be decent, so late afternoon headed off to one of my favourite spots – The Roaches and Ramshaw Rocks, which are the closest part of the Peak District to us.
The sun was already low in the sky when I got there, so decided to go to Ramshaw Rocks as its only a couple of minutes walk from the nearest parking – the decent spots at The Roaches all involve a good 20 mins walk and I was afraid I would miss the best light if I attempted that.

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Ramshaw Rocks and The Roaches

Anyway, Ramshaw was fairly quiet – just one other serious photographer there, standing on one of the outcrops, and I got a couple of decent shots with him in the frame – a human adds a nice sense of scale to landscapes.  Then just a few minutes to take some shots of the rocks and the last of the heather as the light faded, before heading home.  It’s almost an hour each way to get there, but well worth it for the scenery at this relatively little known spot.

Home in time for a late dinner, and a well deserved glass of wine, before editing the photos from my 3 photo sessions of the day!

A walk in the woods…

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View from our balcony…

Our early autumn short break brings us back to one of my favourite places on Planet Earth – the Lake District. Specifically we are staying at the Brimstone Hotel, on the Langdale Estate, just outside Ambleside. Its a superb place – just 16 rooms, set aside from the main hotel here, but with full facilities and its own exclusive spa. Best of all is the ‘Reading Room’ – a kind of executive lounge with complimentary tea, coffee, snacks, beer, wine and soft drinks all day. Its a beautifully quiet spot, perfect for relaxing after a walk around the dales.

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Ready to shoot!

So yesterday I ventured out on my own for a couple of hours with my camera gear. The hotel is surrounded by woods, and there is a river (Langdale Beck) just behind. So it wasn’t exactly far to go, and my short stroll through the woods and along the river turned up several beautiful locations for photos. Although it was a fairly bright day, the shade meant using the tripod for most shots and there were opportunities for some nice long exposures of the water.  I didn’t need to use a ND filter at all – just a polariser to cut through some of the reflections.

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The weir at Chapel Stile

With my camera set up on the tripod and ISO set to 100, lens stopped down to f11 or f16, I was good to go. These photos are RAW files pretty much straight from camera, with the shadows lifted a little, and a little bit of ‘punch’ from adding clarity in Lightroom. I’ll probably tweak them a little more when I get them loaded onto my desktop as editing on a tiny 12″ laptop screen is never terribly satisfactory, but it gives me a good idea of how they should turn out.

All in all a very pleasant afternoon out and about, and a few photos I’m happy with. What’s not to like!

Gear used: Sony A7iii with 16-35mm or 24-70mm lens, Formatt-Hitec Firecrest polariser, Gitzo Mountaineer tripod.

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A witch’s tale…

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Blake Mere Pool

Take the A53 north of Leek in Staffordshire, and then the first turning on the right after you pass Ramshaw Rocks and The Roaches, and along the road across Morridge moor you’ll find a small pool with a spooky story…

Officially known as Blake Mere, locally it’s also known as Mermaid’s Pool, and the legend tells of a beautiful young woman who rejected the advances of a local man named Joshua Linnet. Unable to accept the rejection, Joshua accused the woman of being a witch and persuaded the local townsfolk to drown her in Blake Mere Pond. With her final breath however, the young woman muttered a curse against Joshua and three days later his body was found by the pool, his life claimed by the ghost of the woman he wronged, his face covered with claw marks. It is said that her spirit still haunts the pool in the form of a demon mermaid…

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The Roaches after sunset

If you are not afraid of witches it’s a great spot for a photograph. From the roadside, there’s a clear view of The Roaches and Ramshaw Rocks, and on a still day, the skies above are reflected in the pool. In summer the sun sets directly in front of you, and at the twilight hour casts an eerie glow across the moorland grasses. Just don’t stay around after night falls – you never know when the mermaid will show herself!

For a spot of refreshment, carry on along the road towards Leek, and after a couple of miles you’ll arrive at the welcoming Reform Inn – a great pub with good food.