Lake District Tour….

This time last year, when I was still a Fujifilm shooter, I booked a Lake District workshop in November 2017 with Fujiholics.  Attracted by the location, a big draw also was that the workshop was to be led by Matt Hart and Paul Sanders, two great guys that I’ve known for some time and been on events with.

Boathouse

Duke of Sutherland Boathouse, Ullswater

Fast forward 9 months and I had switched from Fujifilm to Olympus, so I joined the course with some trepidation! I needn’t have worried of course – although Paul and Matt are both passionate about their Fujifilm cameras (and are official Fuji ‘X’ Photographers) they were helpful and supportive throughout.

Based at the Premier Inn in Kendal in the south of the National Park (its tricky to find reasonably priced hotels that will take groups of 15, even out of ‘season’) we nevertheless covered all the main parts of the Lake District. 6am starts each day meant that we could get to locations and set up by sunrise.  With the obvious stops for breakfast, lunch and of course CAKE, we carried on right until nightfall each day, by which time we were happy to collapse back in the hotel for a well earned supper and drink or two… A chance also to review photos from the day, and confirm plans for the next morning.

OLYMPUS DIGITAL CAMERA

Kelly Hall Tarn, nr Coniston

We covered quite some ground in those few days – Kelly Hall Tarn, Coniston, Ashness Bridge, Surprise View, Watendllath, Blea Tarn, Bassenthwaite and Crow Park, Derwentwater to mention a few. I, for one, came away with lots of photos I was happy with, and I’m sure the other participants felt the same. It was also an enjoyable few days spent with like minded ‘togs’ and I would definitely recommend the Fujiholics events, whether you are a Fujifilm shooter or not. They may not have the swish marketing that other well-known photo-tour companies have, but they offer a professional and reasonably priced alternative. If you want to improve your photo skills, and get the chance to shoot in great locations, then definitely check out Fujiholics!

See below for a few of my photos from the week – all shot on Olympus E-M1ii or PEN-F cameras, mostly with the Olympus 12-100mm and PanaLeica 8-18mm  lenses and Nisi ND and ND Grad filters.

This slideshow requires JavaScript.

The best ‘street’ combo yet?

IMG_1798

Fujifilm X-T10 and 35mm f2 lens

All photographers have their favourite cameras, and to be fair, their allegiance will often change over time.  Sometimes its a dissatisfaction or a bad experience with a particular model; sometimes its a case of ‘the grass is greener on the other side’.  But sometimes, a camera comes along which, for a particular use, is a real game changer. After years of shooting with Nikon cameras, I switched to Fuji – not because I was unhappy with the Nikons, far from it, but because my poor old back was no longer up to carrying a full size DSLR and its lenses. The Fuji X cameras work for me in pretty much every way, and are about half the size and weight.  Maybe if I was shooting sport, I would have stuck with the Nikons for their AF capability, but for my uses, Fuji cameras work perfectly.

Saturday Market, RevelEncouraged by attending a couple of excellent workshops and photo walks with Matt Hart of Fujiholics, I have been doing much more ‘street’ photography. For me this means candid photos, mostly of people going about their daily business, and generally in mono. The key here is that whatever camera I use has to be discreet – no good toting a full-on DSLR with zoom lens – you are not going to melt into the scenery with one of those!  It needs first and foremost to deliver exceptional image quality, but must have decent AF, be small, and certainly as quiet as possible so as not to draw attention to yourself.

Saturday Market, RevelShooting at street markets in France is a case in point – French people, in my experience, are not at all keen on candid photos.  Whether its a national sense of privacy, or because some of the traders at the markets are working ‘on the black’, I don’t know, but be prepared for some hostility if you are seen overtly photographing them!

So enter my current weapon of choice, and probably the best camera I have ever used for ‘street’, the mirrorless Fuji X-T10 paired with the new 35mm f2 lens.  Image quality from the camera is excellent – on a par with the larger Fuji X-T1, but in a surprisingly small package – quite the smallest SLR style camera I have used.  The focussing of the new 35mm lens is so much faster than the ‘old’ f1.4 lens, and its a fair bit smaller too as well as bitingly sharp.  The whole camera/lens package weighs just 550gms and is so discreet its not true.

Saturday Market, RevelI took this rig out this weekend to shoot the lively Saturday market in Revel in the Haute-Garonne in France. Using the LCD screen tilted at 90deg I could shoot pretty much at waist level, and with the electronic shutter activated, the camera was virtually silent.  Of the 50-60 photos I took, only this one guy realised I had taken a photo! AF was set to zone focussing, ISO was auto 3200 max, and the aperture either f5.6 or f8.  I would say that focus was spot on for 90% + of the shots I took, exceptional given that I was mostly shooting from the waist and there was little opportunity to refocus or recompose each shot. Generally I use the RAW images from the camera and convert them using Silver Efex Pro, but with so may to process this time around, these are from the in-camera mono JPG images.  A little bit of cropping in some cases, and the clarity and contrast pushed a little in Lightroom, but pretty much as the camera produced them. I’m very happy with these photos.

I have to say I am really enjoying this setup for street photos – all the required quality and performance is there, and its in such a neat unobtrusive package. The lens is newly introduced, so still around the £300 mark, but the X-T10 body can be had for about £450, and there is presently then a £50 cash back offer from Fuji which makes it extremely good value for money for a camera, which to my mind, beats anything else out there.

Here are my favourite photos from the day.

This slideshow requires JavaScript.

A tip: if you plan to go to Revel for the market, do get there quite early – it was in full flow at 1030-1100am, and by noon was thinning out.

Fuji X-Pro2 – Start of a new Generation

When the Fujifilm X-Pro1 was launched back in 2012, mirrorless cameras came of age. A combination of robust build, compact size and a revolutionary hybrid viewfinder all combined with some excellent quality lenses to provide the first real alternative to the DSLRs favoured by professional and serious amateur photographers.

x-prome

Pre-production X-Pro2 (thanks Matt!)

In the four years since launch, the X-Pro1 has had its firmware updated a number of times to improve its AF speed and add new features. But for over a year now, Fuji aficionados have been anticipating a major update to a camera which has recently started to look somewhat dated, and which has had its performance surpassed by newer Fuji offerings and by competitors.

The specification and features of the expected new model were well leaked, so it was no surprise to learn that the X-Pro2 has a new 24Mpx sensor, massively faster AF performance, and twin SD card slots. The revolutionary hybrid viewfinder from the X-Pro1 has been further improved, and the camera now boasts weather sealing with over 60 seals. Amongst other new features are a brand new film simulation, up to +/-5ev exposure compensation for HDR fans, and a brand new processing engine that improves performance around. All these new and improved features add up to a camera that is truly unique, AND can match anything that any DSLR can do.

x-pro

Photo – Fujifilm Corporation

Thanks to Matt Hart (www.lighttraveler.co.uk), I was able to briefly try a pre-production sample on the very day the long awaited  X-Pro2 was announced. While this camera didn’t have final firmware etc, it was truly impressive.  Paired with the new 35mm f2 lens, even in very poor light the AF performance was both fast and accurate. The new viewfinder was simply amazing – clear and bright in either optical or electronic mode, and the omission from the earlier model of diopter adjustment has been rectified – there is now a handy little knob, just like the X-T1 and X-T10 cameras. Fastest ‘regular’ shutter speed is now 1/8000th second, and there is also the option of a purely electronic shutter up to 1/32000 second. There is a certain ‘heft’ to the camera – it feels solid and reassuring in the hand, just like the X-Pro1 did, and this will please pro photographers who expect their cameras to take real punishment.

x-prob

X-Pro2 showing larger LCD and control layout

I for one am looking forward to getting my hands on a full production model of this exciting new camera! I can’t see how I will be able to resist buying one…

Inevitably, the talk now is of an upgrade to the X-T1 model – while its a brilliant camera in pretty much every regard, landscape photographers would certainly appreciate a step-up to a 24Mpx sensor, let alone some of the other features from the X-Pro2. Will this happen too in 2016? Exciting times…