It’s all about the light…

A flying visit to the Lake District this week yielded a couple of hours to get out with my camera.  The conditions were not, however, very encouraging – although the forecast was for ‘sunny spells’, it was raining when I parked at the Silverthwaite National Trust car park just off the Ambleside to Langdale road, and it was blowing an absolute hooley (the aftermath of Storm Henry.) Still, boots on and kit in hand I headed down to the path running alongside the River Brathay to see what was possible.

1602 langdale-14I had planned to try a couple of long exposure images using my new Hitech filter holder, but it was clear it was far too windy for sharp pictures, even with my heaviest tripod set as low as possible. The tops of the fells were shrouded in mist/cloud, but there were some brighter patches in the sky (nothing to actually call sun though…)  Anyway, I found a nice view with a fence as lead-in, and set up and waited. After about 10 minutes, it had pretty much stopped raining, and I was rewarded with a few breaks in the cloud. The foreground was nicely bathed in sunlight – only for a few seconds, but enough to get a couple of frames including this one.

1602 langdale-4Wandering along looking for another view point, I spotted this family of ducks, and quickly set up.  Within a few seconds they had moved into the perfect position in the frame, and as luck would have it, another fleeting moment of sunlight brought the scene to life. Time for one shot only before the ducks had moved on, and the sun had disappeared again!

In the time left, I managed another couple of shots, but as before it was a case of finding something interesting, setting up, and then waiting (and waiting…), and hoping the light would come good.  I had quite a few strange looks from walkers passing by, and even a few comments about me just standing there waiting – everyone expects a photographer to be shooting all the time, but there’s absolutely no point if the light isn’t going to make the shot work. Sometimes waiting until the light is right pays off, but so often its a case of returning when the conditions are better. Patience is rewarded (but only sometimes!)

Here are a couple more I managed that morning.  All photos taken on my Fuji X-T1 camera with 16-55mm lens, Hitech filter holder with 0.9 ND grad filter, and Manfrotto 055 tripod. RAW images processed in Lightroom, and Viveza 2.

Landscape Lessons….

Elgol Beach, Skye

Taken from a similar spot to Joe Cornish’s iconic photo.

Last week’s holiday on the Isle of Skye was a delight, and one of the standouts for me was the ‘photo day’ I had with Russell Sherwood (see link below).  Russell is a local professional photographer, has a fine art photo gallery and runs individual and group workshops and courses. I wanted someone to show me the best sights on Skye for photos, and felt that I could pick up some tips on how to take better photographs. In particular I reckoned that I wasn’t getting as many truly sharp images as I thought I should.

My very reasonably priced one-to-one day with Russell was certainly full-on – we covered a lot of ground (Skye is a big island!) and walked and carried gear across a lot of rocky paths and beaches, but I got some photos I am delighted with. I definitely picked up some useful pointers, and figured out how to get much better and sharper photos – here are a few of the ‘lessons’ from the day.

#1.  Don’t try and cover too much ground. Stay in one place until you have the shot you want, or exhausted the possibilities there – wait and get the best shot possible rather than rush off to the next location.

#2. Stability is everything. Use a tripod big enough for the job – my Manfrotto 190 was struggling in the wind, and wasn’t really tall enough for some shots. A tripod head that is easy to level is a great help – either a good ball & socket head or a geared head. Use a remote release and self timer – this ensures the camera doesn’t move at the point of taking the photo. I’ve been guilty of not using the remote release, thinking I could ‘squeeze’ the shutter without moving the camera.

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#3.  Get the exposure right in camera. Although its easy to adjust exposure and contrast on the computer back at base, its so much better to get the image right in the camera – it gives you so much more to work with.  Key points are – use graduated filters to even out extremes of brightness across the shot if possible, and always check the histogram when taking the shot to ensure highlights in particular are not burnt out (shadows can usually be brightened, but if the highlights have gone, there is not much that can be done.)

#4.  Don’t overdo long exposures.  The trend nowadays to to use a ‘Big Stopper’ type extreme neutral density filter to give a long exposure to blur water and skies. There’s a real danger this is just a fad, and its certainly overdone! Best to try less extreme exposures as well.

#5. Don’t try and change lenses mid-stream. Literally! Depends on location, but switching lenses while on location can be a nightmare – consider the obvious risk of dropping gear while you are standing on a cliff edge or in a stream, and the possibility of getting dust or spray on the sensor. Either use a zoom lens to adjust field of view if its not feasible to change position, or even just set up two camera bodies as they are generally easier to change over.

So as well as picking up on the technique points above, I have a new heavier duty tripod and head on order, a ‘Little Stopper’ filter for less extreme long exposures, and a new larger camera bag to make it easier to work with all the paraphenalia when out. I’m sorely tempted by the Fuji 10-24mm zoom lens, but this is physically much bigger and heavier than the gear I have now, and will mean swapping out all my lovely neat little Lee Seven5 filters for the very much larger and heavier 100mm versions!

Russell can be found at http://skyescapegallery.zenfolio.com

Here are a few more of my favourites from what was a brilliant day out! 

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Always Have A Camera Ready…

XT102980Last night was a perfect reminder – we were sitting at home having a drink when OH noticed the sunset colours developing and the cows at the top of our garden.  Encouraged by her (it was hard to tear myself away from a Sauvignon Blanc, even for a photo), I grabbed my Fuji X-T1 and raced to the top of the garden.  Managed to get maybe 6 shots off while the cows were suitably juxtaposed with the big old oak tree, and before the colours faded. No time to set up a tripod, all shots were taken with the camera balanced on a fence post.

Key thing for me, and the moral here, is to always have a camera set and ready to go – my X-T1 ALWAYS goes back in its bag with battery fully charged, fitted with the 18-135mm lens, set to Auto ISO 3200, and everything else on Auto. That pretty much guarantees a shot in all circumstances and is a good place to start.

For the technically minded – images were shot in RAW, then processed in Lightroom with a Fuji Velvia preset to boost the colours, a little clarity added, then cropped to suit.