An Afternoon In London…

Our 45th wedding anniversary celebrations included a weekend in London, staying in the rather swish Mondrian Hotel. It’s a pretty cool hotel, with great rooms, good restaurant and it’s own nightclub, but for me it’s killer attraction is a location on the South Bank next to Blackfriars Bridge.

You step straight out of the hotel to the riverside, and it’s just a short walk to the Millennium Bridge, Tate Modern, Globe Theatre and Borough Market. You can see St Paul’s Cathedral, the London Eye, and iconic buildings like The Shard and the ‘Walkie Talkie’ Building. There are any number of talented street artists performing – always something to see.

It wasn’t at all a photo trip, as you can imagine, but I did manage a few quick photos with my trusty iPhone – I say trusty, but I’m still getting to learn all the features that this new model has. Most photos were taken using the Moment Camera app so I could capture in RAW, and I am currently processing them in Lightroom Mobile, with final tweaks like borders in Snapseed.

These photos were all taken during our afternoon walk on a cloudy but dry afternoon.

Olympus does Motor Sport….

OLYMPUS DIGITAL CAMERAAlthough I have some reservations about using my Olympus Micro-Four Thirds (MFT) cameras for landscapes, one area where they come into their own is fast action photography like motor sports. The sensor on all MFT cameras is just one quarter the size of a so-called full frame camera, and although they can still deliver file sizes based on up to 20Mpx, the individual pixels are so-much smaller, so suffer from noise in low light or high contrast situations and this does limit things somewhat, in my opinion. MFT cameras do have a couple of particular advantages though, especially for action photography – the small sensor means that a given focal length lens is equivalent to a lens twice as ‘long’ as one fitted to a full frame camera, and for any given aperture will have a much greater depth of focus. So, in practical terms, the same ‘spec’ lens on an MFT camera will bring things in much closer, and more of the subject will be in focus.

OLYMPUS DIGITAL CAMERAMy camera, the Olympus E-M1 mk2, has one other killer feature – ProCapture. Whereas most cameras will focus on the subject when you half press the shutter, and then take one or more photos when you fully press it, Pro Capture starts recording as SOON as you half press the shutter, and ‘buffers’ or keeps the last 12 shots in its memory together with all those after you press the shutter, and these are then written to the memory card. So if you are shooting at one of the lower speeds, like 5 frames a second, you will get a couple of seconds worth of images BEFORE you make that final press of the shutter.  How many times have we been looking through the viewfinder waiting for action to happen, like a bird taking off, but by the time we react to the movement, the bird has gone. This camera lets you go back in time!

OLYMPUS DIGITAL CAMERASo last weekend I spent some time at a club motor race meeting at Oulton Park in Cheshire with those nice folks from Olympus UK Events. I already had my E-M1ii of course but was pleased to try both a 40-150mm Pro lens, and the 300mm f4 Pro lens (they were loaning out cameras too if anyone wanted to try those). A great opportunity to ‘try before you buy’ given that the 300mm lens is around £2000 to buy. Also on hand to help were Lewis Speight, one of the technical gurus from Olympus UK, and Mike Inkley, a pro sports photographer. So off we went trackside to record the cars that were racing that day – some modern sports/touring cars, but some classic sports cars too.

OLYMPUS DIGITAL CAMERALets just say that the equipment we were using was amazing – the ability to fill the frame and focus on fast moving cars from the other side of the safety barrier, and record bursts of up to 40 shots as the cars went past or crested the top of the hill at Lodge Corner!  I did however fill a complete memory card during my morning session – over 3000 images – so needless to say sorting through these and picking the best from each sequence took some time!

Suffice it to say, I would thoroughly recommend this setup for sport photography…

Time for a fresh beginning…?

‘When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision. Following rules of composition can only lead to a tedious repetition of pictorial clichés’ – Edward Weston

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South Bank, London

In the almost 60 years since I first picked up and used a camera, photography, in my opinion, has become both easier, and harder… Yep, today’s all-singing digital cameras and phone cameras with their mega-pixels and auto-everything are a far cry from Box Brownies, or 35mm SLRs where everything was manual; then it was days or weeks after you shot your pictures before you saw the results (and were frequently disappointed!)

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Dover Harbour

But now,  just about everyone can take a good picture – walk up, ‘click’ with your phone camera/compact camera/DSLR and there you have it – immediate result. No longer any need to understand and put into practice the technicalities of film photography like ISO, aperture, DOF and shutter speed – just ‘point and press’. No bad thing, but these days everyone is a photographer. Estimates vary, but I saw one that reckoned over 1.8 trillion photos were taken and uploaded last year! Talk about over-exposure.

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Elgol, Skye

A few years back, I was at a low ebb with my photography – I had all the latest gear, but it was all so heavy I never really wanted to go out making photos, and when I did, I rarely came back with anything I was happy with. So I changed everything and downsized, and that helped some – the new system I had was somewhat lighter, but at the expense of image quality, and in reality, by the time I bought the best lenses, I hadn’t gained a huge amount in portability. But I persevered, thinking that by working harder at it, I would take better photos. I’ve read lots about photography, joined social media groups and been on umpteen workshops and courses, but…………

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Street Market, France

What I’ve come to realise is that despite a near obsession with photography,  I’m not really getting that much out of it – I think that going to the same places that everyone else goes to, and setting up the same type of sunset/sunrise/long exposure shots is leading to a total lack of creativity.  Its not helped by the fact that everywhere you look on forums and Twitter/IG etc, there are the same shots in the same places etc, so you pretty much end up following suit. I’m less inclined these days to go out yomping around hills loaded down like someone from the SAS – I’m not getting any younger! Then of course there’s the issue of going to all that bother when other folks will get still better results because they are using bigger and better gear, or dedicate more time to photography than I want to.

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Colwyn Bay, North Wales

Looking at what I’ve shot over the last year or two, I’m really disillusioned – I’ve got lots of ‘ok’ landscapey shots, mostly technically fine, but very few ‘wow!’ shots. Hardly anything that stands out. Technically competent, but no creativity. Certainly no real satisfaction. I need to go back to shooting what grabs me, not the clichéd shots that you see all over social media and I am (even subconsciously) trying to emulate. I think some of the shots I took 10 or 20 years ago are ‘better’ in a creative sense than what I’m doing now. Bit of a watershed really…

I’m starting by going through my back catalogue, and just picking out what I consider to be creative, rather than just me-too photos. I’ve started to update my website to reflect that.
I’ve made a conscious decision that in future I will shoot for ME, and not to please others. If people like what I shoot, that’s fine, but I’ve spent too long conforming to expectations.
Here are a few of my photos that I DO like. Some are traditional landscapes, but I like them nevertheless. Here’s to that creative new beginning…

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Lake District Tour….

This time last year, when I was still a Fujifilm shooter, I booked a Lake District workshop in November 2017 with Fujiholics.  Attracted by the location, a big draw also was that the workshop was to be led by Matt Hart and Paul Sanders, two great guys that I’ve known for some time and been on events with.

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Duke of Sutherland Boathouse, Ullswater

Fast forward 9 months and I had switched from Fujifilm to Olympus, so I joined the course with some trepidation! I needn’t have worried of course – although Paul and Matt are both passionate about their Fujifilm cameras (and are official Fuji ‘X’ Photographers) they were helpful and supportive throughout.

Based at the Premier Inn in Kendal in the south of the National Park (its tricky to find reasonably priced hotels that will take groups of 15, even out of ‘season’) we nevertheless covered all the main parts of the Lake District. 6am starts each day meant that we could get to locations and set up by sunrise.  With the obvious stops for breakfast, lunch and of course CAKE, we carried on right until nightfall each day, by which time we were happy to collapse back in the hotel for a well earned supper and drink or two… A chance also to review photos from the day, and confirm plans for the next morning.

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Kelly Hall Tarn, nr Coniston

We covered quite some ground in those few days – Kelly Hall Tarn, Coniston, Ashness Bridge, Surprise View, Watendllath, Blea Tarn, Bassenthwaite and Crow Park, Derwentwater to mention a few. I, for one, came away with lots of photos I was happy with, and I’m sure the other participants felt the same. It was also an enjoyable few days spent with like minded ‘togs’ and I would definitely recommend the Fujiholics events, whether you are a Fujifilm shooter or not. They may not have the swish marketing that other well-known photo-tour companies have, but they offer a professional and reasonably priced alternative. If you want to improve your photo skills, and get the chance to shoot in great locations, then definitely check out Fujiholics!

See below for a few of my photos from the week – all shot on Olympus E-M1ii or PEN-F cameras, mostly with the Olympus 12-100mm and PanaLeica 8-18mm  lenses and Nisi ND and ND Grad filters.

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At last, a Fujifilm Trouser-Pocket Camera…

To quote an old saying – ‘the best camera is the one you have with you’. For most of us the camera we usually carry around is the one in our smartphone, and to be fair, they are pretty good these days. But for us self-styled photographers, the tiny sensor and limited functions in smartphones just don’t cut the mustard.  We want a sensor that will support at least a high quality A3 size print, a superb quality wide aperture lens, RAW file capability for editing, and of course high ISO sensitivity without image noise that looks like marbles. And a few other features would be nice too… No smartphone offers all this – the tiny sensor and limited space for processor chips just makes that a no-no.

Sure, there are plenty of compact cameras that offer the larger file sizes and options, but find one that has the required image quality, and is still genuinely pocketable? No – either the image quality isn’t there, or they are just too big to slip in a trouser pocket… so they get left at home. There are so many occasions when I wished I had a decent camera with me instead of it being on a shelf at home.  For me, the closest to this elusive beast is the Ricoh GR Digital (actually, in days gone by, I had a GR film camera and that was truly special) but I was put off buying a GR because of their reputation for dust ingress – no point in having a super-pocketable camera if you have to keep it in a bulky case all the time to protect it is there?  I had a Fujifilm X100T camera for a while, but  it was just a little too big to be properly pocketable, so again, it frequently stayed home.

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The new Fujifilm X70

So yesterday,  Sarah from Cambrian Photography loaned me the newly launched Fujifilm X70 camera to try for a few hours while we wandered around Liverpool on our Fujiholics Photo Walk. The camera has been described in the photo press as a ‘cut-down’ version of the X100T, and it definitely has Fuji genes – it does indeed show a marked similarity to the X100T, but in a smaller form factor and without the viewfinder.  All the other Fuji X-series hallmark features are still there though – the superb APS-C sized sensor that powers the X-T1 and X-T10, combined leaf and electronic shutter, processing engine and AF from the excellent X-T10, a newly developed 18mm f2 lens, and Fuji’s excellent build quality. It feels like a Fuji camera. Ah, and did I forget to mention, that LCD screen on the back can flip right round to 180° AND is a touch screen – not only can you adjust the AF target point using the touch screen, but you can fire the shutter too – very handy. This isn’t a detailed review of the camera and all its features so I won’t bore you with the whole specification – here is the link to the Fuji website.

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Cool but still retro – a black X70

I have to say my first reaction when I handled the X70 was a little muted – it wasn’t quite as small as I had imagined it was going to be, and the first few times I shot with it, I raised it to eye level before realising it didn’t have a viewfinder – just the LCD screen on the back. Not sure how my less than perfect eyesight was going to manage that (there is an optional optical viewfinder that fits in the accessory shoe, but I didn’t fancy that). It definitely fits in jeans or jacket pocket though… But, it felt good in the hand, all the controls and menus felt familiar, the AF is quick, very quick, and like all Fuji cameras, when it does find focus, it is deadly accurate. Even reviewing my first few shots on the screen, I could see they were going to be sharp.

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Happy chappy!

The Photo Walk in Liverpool was all about street photography, capturing those little cameos of people and the city but without drawing attention to yourself, and I found I was increasingly reaching for the X70 rather than the X-T10/35mm combo I had with me. I could reach into my pocket, switching the camera on at the same time, and be ready to shoot immediately. I found I took quite a few shots from waist level, using the flip screen, and that too worked well.  For some shots the 18mm lens of the X70 was a little wide, but mostly I preferred it to shooting with a longer lens, and with 16Mp, there is the option of cropping and still getting a great image. (The camera has a ‘crop’ image option, but I didn’t try that on the day..) Another feature I loved was the electronic shutter – switch to that and turn the other camera sounds off, and its completely silent – great for close-up candids.

Of the 60 or so shots I took during the day, there wasn’t one where the exposure was significantly wrong, and the 3-4 shots that weren’t sharp were down to subject movement  or me ‘snatching’ as I took the photo. All the images (I didn’t even change the base settings on the camera, so all were colour JPEGs) were bright and crisp and useable straight from camera. The lens is definitely very sharp, and there is no obvious vignetting or quality fall off at the edges. With that lens, sensor and processing engine, any images are clearly going to be of comparable quality to those from an X-T1, X100T or X-T10 so no compromises there. Handling of the camera is great, and while the lack of a viewfinder may be a problem for some, the flip/tilt LCD screen is a very useful feature. The field of view of the 18mm lens is incredibly useful, and the ability to focus as close as 10cm is great too.

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Girls out on the town

So during the day, the camera grew on me, and I went from ‘nice, but not for me’ to ‘when can I have one’. The launch price of £549 is pretty much to be expected for the quality and features on offer, but I would expect some softening of the street price over the next few months. Expect to see it at maybe £475 to £499 by the end of this year, at which its a definite purchase for me. Don’t forget to carry a spare battery though – the battery in mine was flat after a day’s shooting.

Here are some more images from the day (and BTW, I’d definitely recommend trying one of the Fujiholics Photo Walks – great fun, great company, and FREE – and you don’t have to use a Fuji camera either, although you’ll probably end up buying one afterwards!)

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